This Essay Compare and Contrast Raphael's High Renaissance Fresco Galatea with Botticelli's Early Renaissance Painting Birth of Venus and other 62,000 term papers, college essay examples and free essays are available now on Review Autor: Anjali George • February 21, 2016 • Essay • 276 Words (2 Pages) • 790 Views At first glance Raphael's fresco Galatea and Botticelli's tempera painting Birth of Venus seem very similar although it is believed that they originate from two different stories. Both pantings are neoplatonic in nature as they urge viewers to contemplate the idea of divine love, an idea that both the stories revolve around that is where most of the similarities end; upon closer inspection the differences are quite obvious. The first and most obvious distinction is is the pose of the central female form. Botticelli's venus is placed in an improbable stance resembling the classical contrapposto it gives her almost a weightless quality which is very typical of early Renaissance art as they closely resemble classical artworks and sculptures in being highly stylized or idealized representations of the human form. One can argue that began during Early Renaissance was perfected during High Renaissance.
Select one common divine role that recurs in world mythology. Possible options of divine roles include the following: father or mother divinities, divinities of war, home or hearth divinities, divinities of love, divinities of wisdom, divinities of medicine or health, divinities of the wind, divinities of agriculture, divinities of the sky, ruler of all the gods, and so on. Select two myths, each from a different culture, in which the divine role appears. Identify the divinity names and cultures in columns A and B. Complete the matrix by answering each of the five questions for both selected divinities. She was portrayed to be the goddess of love and beauty often shown smiling. Some myths also say they daughter of Uranus (Aphrodite, 2002). Title: Divinities of Love and Beauty Column A Divinity Name: Aphrodite Culture of Origin: Greek Column B Divinity Name: Freyja Culture of Origin: Norse 1. One of the more known and told myth is her helping Paris to abduct his love Helen of Troy. Her gender function would be the sexual aspect of the myth surrounding her because she is known for seduction.
I couldn’t care less if it’s “accurate.” It’s fun and harmless. And, as an ever-prideful Leo, there are few things I enjoy more than reading about myself on the internet. In fact, I spent the better part of my spring 2015 college lectures educating myself on astrology’s origins and nuances because I couldn’t get enough. When my interest blossomed into a blog, Bossy Planets (where I eventually garnered hundreds of questions a day), I was surprised to learn that many of my fellow horoscope enthusiasts knew little of their astrological cocktails. You know, like the planets and houses and asteroids that bubble beneath the surface of the basic zodiac wheel.
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As a young woman, becoming a painter was not a part of Frida's career goals. Her goal in life was to become a doctor but a tragic accident at age 18 left her mentally and physically scared for life. It was during her months of convalescence that Frida began to take painting seriously "to combat the boredom and pain" she said. "I felt I still had enough energy to do something other than studying to become a doctor. Without giving it any particular thought, I started painting." It was the beginning of a life-long career for Frida. Aside from a few art classes in high school and browsing through art books from her father's collection, Frida had no formal training in the arts.
In the early 2000s, when her domination of women’s tennis was just beginning to peak, she enrolled in an interior design program and became a Certified Interior Decorator. Some high-level athletes implode from the dual stress of competition and fame, but with her bedrock upbringing Williams has only ever asked for more to be heaped upon her formidable shoulders. Both parents expressed the value of thinking entrepreneurially. After four to five hours of practice a day, her father would hold family discussion about economics and social Darwinism, while her mother concentrated on fostering a curious nature and a powerful sense of self-worth in her daughters. A relentless work ethic was ingrained in Williams since birth.
A unique mythological painting from the Renaissance in Florence, and the first non-religious nude since classical antiquity, The Birth of Venus (Nascita di Venere) belongs to the group of mythological pictures painted by Sandro Botticelli (1445-1510) in the 1480s, following his return from Rome after completing three fresco paintings in the Sistine Chapel for Pope Sixtus IV. The other mythological works include Pallas and the Centaur (c.1482, Uffizi Gallery, Florence), Venus and Mars (1483, National Gallery, London), and La Primavera (1484-6, Uffizi). Like these works, The Birth of Venus (1484-86) remains one of the profound treasures of the Florentine Renaissance. The work, painted with tempera on canvas, depicts the female nude figure of the goddess Venus standing on dry land having emerged from the sea. It was commissioned by Lorenzo the Magnificent (1449-92) of the Medici Family, whose quattrocento humanist circle was particularly interested in classical mythology, and marks the culmination of the revival of ancient myths, within the context of a humanistic Renaissance art.
Summary: This is an essay comparing and contrasting Botticelli's "Birth of Venus" with Titian's "Venus of Urbino." It also deals with how both pieces fit into the time period in which they were painted. When applied to art, the Renaissance refers to a time period when art underwent a drastic change from everything that was produced before it. "Birth of Venus" is a 5'8" x 9'1" tempera on canvas painted by Botticelli. It was created around 1482 and is inspired by a poem written by Angelo Poliziano (Kleiner 721). The focal point of this painting is Venus standing on a cockleshell. She is nude and standing in the contra pasta position.